He pointed out certain faults in the sangadhis rendered by the contestant which she had modified to her own covenience. He said that this composition was a mix of Spanish, Persian music and he admired the beauty of the same. He mentioned that, in earlier times, there was the “one & only” LR Eswari to render such numbers whereas nowadays singers had to be versatile with different range of voice with the changing scenario for which the contestant had adapted herself well.Ħ) ThuLLuvadho Ilamai……. He praised the contestant for her versatility as she had rendered an old classical based song in the previous round and followed it up with a diversifed peppy number in this round. SPB felt maybe it was just a space-filler. Our SPB was curious to know what exactly it was and it’s meaning. Raagini Shree sang this peppy number well. Regarding the contestant, he mentioned that his singing was a bit tentative but somehow he had managed to tide over and present the song.ĥ) Dole Dole …. Our SPB pointed out a small mistake in the original song itself stating that the lyricist had not provided the correct word for the tune composed by the MD at one place and that in older times, the MD would not have settled for the compromise and would have demanded the right word. ManoBala said that this was an unforgettable incident in his career.Ĥ) Ae Azhagiya theeye enai …. When he presented the lyrics to IR that afternoon, he was astounded to find that it reflected his own life. The lyricist came in majestically and completed writing the lyrics in ten minutes and handed over the sheet to Manobala for copying the same.
Ennodu paadungal tms movie#
Directors) were all waiting at Atlantic Hotel along with a tentative Vairamuthu (he made his debut in this movie by penning the lyrics for Idhu oru ponmalai pozhudhu) for Kavignar Vaali to come and write the lyrics for this song in discussion. It seems that Mano Bala and his other colleages (all Asst. Next, ManoBala, the permanent judge cum scorer for the contest, narrated an interesting incident about this song. He also said that this song seemed to have been written by Vaali especially keeping ILayaraja in mind as the verses matched with IR’s life. Our SPB pointed out a mistake in the landing notes of certain words and advised to take care of such points. Before the start our SPB said this song had a significance for everyone. He noted an improvement in the confidence of the singer and wished her well.ģ) Madai thiranthu thaavum …… from Nizhalgal (SPB)īharath rendered this song. Also, he mentioned that while recording in a studio it was always easy whereas on stage one needed to have adequate breath management to present the song seamlessly. It was made possible only due to some gimmicks using gadgets, he said. He also pointed out a song that he had sung which was considered by many as breathless when in fact it was not so. He recommended pumping in enough oxygen into the lungs before starting off on the phrases. The problem, he said, was due to improper breath management. This, he said was not right as it is a single word and should be rendered as such. Gayatri rendered the word “Abhisarikkaina” by splitting it as “Abhisarik” “kaina”.
He had a comment or two on the rendition. Our SPB jokingly mentioned about being addressed as “ raa raa” but said it was OK for him as he was quite young !!!!. from Chandramukhi (Binni Krishnakumar & Tippu) He concluded by saying that he was treated to the karuvadu smell.Ģ) Raa Raa Sarasaku Raa Raa…. He also observed that Shankar Mahadevan had rendered the humming in the pallavi at a higher pitch whereas she had settled down for a lower pitch suitable to her which he opined was OK. She would have anyhow practised with the orchestra a couple of times and it would not have been an issue at all, he said. He advised her not to get distracted towards the background score while singing and asked her to concentrate only on her singing. Her glances were alternating between the orchestra and her lyrics paper as she was doubtful on where to take off & land and hence her focus was not on the audience. Our SPB queried her if she was a non-vegetarian as he was aware that konkanis eat lot of fish ( karuvadu is nothing but dried & salted fish). The contestant was Ms.Asha Rajan from New Delhi.
SPB said that if we all live like this then Man can become God.įirst Round of this Episode (second round of the contest) :Īs detailed in the previous posts, this round features fast paced or peppy or rhythm-oriented numbers chosen by the contestants themselves.ġ) Uppu Karuvaadu Ooravacha Soru…… from “Mudhalvan” (Shankar Mahadevan & Kavita Subramaniam) The essence of the Kural is that “ even if someone does bad to you, you make him feel guilty by doing something good in return”
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